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最重要的是我们对表面的欣赏:首先,最紧迫的事情是化妆...即,将人造表面赋予表面的方式,否则就是盲目的内部意识。 在我们年轻的时候,为了甚至开始考虑基本的内在性,任何关于我们的理论都必须是关于化妆的理论。结果,我们将化妆品分为两个主要类别:“表面”化妆品(例如粉末,粉底,腮腮)和“放置”化妆品(例如睫毛膏,眼线笔,口红)。如果第一类化妆品允许一个人增强脸部的外观,那么只有第二类化妆品可以通过跟踪外观来帮助说明基本的内在性。勾勒出眼睛或嘴巴的轮廓就是邀请观看者进入这种内部空间,即挑战他的存在。挑战他的存在就是挑战世界的存在-“一个具体的普遍世界,一个世界,而不是外部世界,,另外世界的底面,世界的温柔内在性,内部世界的集中。因此,拥有巨大的性成功:拥有一个情人就是拥有这个世界。”因此,在描述这两种类型的化妆品并向女士/女士展示化妆品作为世界内部在性的秘密时,我们重新审视了自己。我们所发现的两次我们未来的自由裁量权道德所能够接受的:我们揭示了一种本能的真相,这种真相可满足面膜,化妆品,化妆品或类似产品的所有想法,这是一个公式化的真相,这次的用词过多性别化,可以接受:没有欲望
除了化妆的男人/女人。
The most important thing is our appreciation of the surface: the first, the most urgent thing is makeup...that is, the way to give the artificial surface to the surface, otherwise it is blind internal consciousness. In order to even begin to consider basic internality, any theory about us must be a theory about makeup. As a result, we divide cosmetics into two main categories: "surface" cosmetics (such as powder, foundation, blush) and "placement" cosmetics (such as mascara, eyeliner, lipstick). If the first type of cosmetics allows a person to enhance the appearance of the face, then the second type of cosmetics can help illustrate the basic internality by tracing the appearance. To outline the eyes or mouth is to invite the viewer to enter this internal space, that is, to challenge his existence. To challenge his existence is to challenge the existence of the world - a concrete universal world, not the external world, but the underside of the world, the concentration of the interior. Therefore, it has great erotic potential: to attract a lover is to posess the world. In describing these two types of makeup and in presenting the girl in makeup as keeper of the secret of the world’s interiority— a secret only accessible by means of cosmetic artifice— we reveal ourselves.
Guy and Gal Saloon
with Karl-William Klenk, Qin Xu, Linh Dan, Halo
Curated, storyline, edit: Halo
Photography: Qin Xu, Linh Dan, Redo Pal
Audio by Douglas Fir
Thanks to Redo Pal for installation assistance + printing out images