Slag Ambrosia
at Baitball 02






Hanna Umin, Hamotzi Hagafen
clay, pennies, wire, various materials

MRZB, stili drama
framed print



Hanna Umin, Hamotzi Hagafen (studio view)
wood, clay, various materials

Joe Greer, Scarecrow chad in burberry plaid
carved wood, various materials


halo, Psalm 141:7 (1, 2)
poured resin sculptures, painted sigils; 2nd painted by Hanna Umin


Hanna Umin, Hamotzi Hagafen (installation view)
clay, pennies, various materials, gravel
slagpile assembled by paolo modugno
alex de roeck, lunchbox
polymer clay sculpture
installed at baitall 02

valerie you, a blemish on your spouses' face
found objects; mermaid's purse provided by urbain checcaroni from his collection)
and plastic plate; arranged by paolo modugno



SMOKE of the fields in spring is one, Smoke of the leaves in autumn another.
They all go up in a line with a smokestack, Or they twist … in the slow twist … of the wind.

If the north wind comes they run to the south. If the west wind comes they run to the east.
By this sign all smokes know each other.
Smoke of the fields in spring and leaves in autumn, Smoke of the finished steel, chilled and blue,
By the oath of the work they swear: “I know you.”

Hunted and hissed from the center Deep down long ago when God made us over,
Deep down are the cinders we came from— You and I and our heads of smoke.

Some of the smokes God dropped on the job Cross on the sky and count our years
And sing in the secrets of our numbers; Sing their dawns and sing their evenings, Sing an old log-fire song:

You may put the damper up,
You may put the damper down,
The smoke goes up the chimney just the same.

Smoke of a city sunset skyline, Smoke of a country dusk horizon—
They cross on the sky and count our years.

Smoke of a brick-red dust Winds on a spiral,
Out of the stacks
For a hidden and glimpsing moon.

This is the slang of coal and steel.
The day-gang hands it to the night-gang,
The night-gang hands it back.

Stammer at the slang of this.
Let us understand the half of it.


slag ambrosia is a song of divine ambiguity.
throughout history, we find many examples of offerings to ancestors, spirits, and gods. although we may wish to work their effects into our human economy, strange forces are at play - the gods are mysterious and engulfing. those who drink too much from their cup are often become outcaste, having gone beyond the pale, their sacred argot reverbrating through the dark expanse of history. we are the mysterious travelers, arrived at the banquet bearing charms of bone and soot, charms with unknown potencies -- we bear the image of something which has become inedible, indigestible, warped or maligned by becoming sublime.

Slag Ambrosia
at Baitball 02, Pogliano a Mare, Italy

w. Hanna Umin, Halo, MRZB, Joe Greer, Alex de Roeck, Valerie You
Curated by Underground Flower (halo) for Like a Little Disaster
Poem by Carl Sandburg
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